"We did not think of the great open plains, the beautiful rolling hills, and winding streams with tangled growth as "wild". To us it was tame. Earth was bountiful and we were surrounded with the blessings of the Great Mystery."

Luther Standing Bear - Rosebud Sioux

Guardian of the Water Medicine

Guardian of the Water Medicine
Dale Auger

Dale Auger

Dale Auger: On Art, Blood and Kindred Spirits
by Terri Mason

Defining Dale Auger in one sentence is akin to releasing the colours of a diamond in one cut. It can’t be done. It’s the many facets that release a diamond’s true brilliance, as it is the many facets of Auger’s life, education, ancestry, experiences and beliefs that have shaped and polished his work into the internationally acclaimed and collected artist that he is today.

Born a Sakaw Cree from the Bigstone Cree Nation in northern Alberta, Auger’s education began as a young boy when his mother would take him to be with the elders. “I used to say to myself, ‘Why is she leaving me with these old people?’ – but today I see the reason; I was being taught in the old way.”

Auger’s respect for traditional teachings led him on a journey to study art, opening the door to a doctorate in education. He is a talented playwright, speaker and visual artist whose vividly coloured acrylics have captured the attention of collectors that reads like an international ‘Who’s Who’ spanning English to Hollywood royalty. The essence of his work is communication, and now Dr. Auger has come full circle, interpreting the life of his culture – from the everyday to the sacred - through the cross-cultural medium of art.

Read the rest here:

http://www.daleauger.com/printversionbio.cfm

Monday, April 7, 2008

Featured Artist - Arvel Bird

Arvel Bird (Paiute/Me'tis), a classically-trained violinist, performs and records in a number of diverse genres including blues, jazz, bluegrass, Celtic, Cajun, Western swing, American roots, and Native music. In addition to the violin, Bird also is an accomplished mandolin, guitar and Native flute player. An experienced musician who toured the world with Glen Campbell, Loretta Lynn, Ray Price and others for several years, Bird recently has turned his musical focus to his Paiute/Me'tis heritage, and now focuses most of his time on writing, performing, and recording music which reflects that background.

Born to a Mormon inter-racial family in Idaho and raised in Utah and Arizona, Bird was aware of his Indian heritage from an early age, but, like many families in that time and place, Indian heritage was not mentioned, let alone celebrated. Bird grew up as part of a hard working, middle-class family and out of fear of his mother's reaction, he never asked her about her Native origins. As an adult, Bird became more and more interested in his background, eventually donating time and resources to a project aimed at protecting ancient Native burial sites in Tennessee. In 2000, Bird released the first Native American album that simultaneously launched Singing Wolf Records. This sparked the beginning of his personal journey to uncover the truth about his Paiute heritage. In the summer of 2001, Bird received documentation previously unknown to him from his mother supporting his bloodline to the Shivwit Paiute tribe in Southern Utah. The effect this discovery has made on Bird has been profound.

He made trips to St. George, UT and the Shivwit Paiute reservation where he met half sisters (cousins), searched and studied his genealogy, attended powwows and talked to elders, all the while finding a stronger affinity and connection to the underlying core beliefs of Native America and a deepening sense of who he was. Since then all of his performances have reflected and honored his Native American heritage through his music and stories.

From the age of nine, Bird knew what he wanted to do with his life-he wanted to play the trumpet. With no funds for a trumpet available, Bird was presented with his first violin, an instrument given to his mother by a violin maker named Joseph Smithbauer. Bird and the violin were soon inseparable, although the instrument's size challenged the young player. Bird's family recognized his special gift, and were eventually able to provide him with private lessons. Bird continued to study classically on a music scholarship to Arizona State University. Though his desire was to develop his performance skills, each and every professor he encountered told him he wasn't "good enough" to perform and that he should concentrate on teaching instead. Bird's response was to leave Arizona and move to the mid-west to study with Paul Roland, a renowned Hungarian violin instructor at the University of Illinois-Champagne/Urbana. Under Roland's tutelage, Bird gained the technical proficiency and confidence that has served him so well over the years.

His work is featured here. Other samples can be found by clicking here: http://downloadmp3music.plinplan.net/2008/04/05/arvel-bird-animal-totems/

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