"We did not think of the great open plains, the beautiful rolling hills, and winding streams with tangled growth as "wild". To us it was tame. Earth was bountiful and we were surrounded with the blessings of the Great Mystery."

Luther Standing Bear - Rosebud Sioux

Guardian of the Water Medicine

Guardian of the Water Medicine
Dale Auger

Dale Auger

Dale Auger: On Art, Blood and Kindred Spirits
by Terri Mason

Defining Dale Auger in one sentence is akin to releasing the colours of a diamond in one cut. It can’t be done. It’s the many facets that release a diamond’s true brilliance, as it is the many facets of Auger’s life, education, ancestry, experiences and beliefs that have shaped and polished his work into the internationally acclaimed and collected artist that he is today.

Born a Sakaw Cree from the Bigstone Cree Nation in northern Alberta, Auger’s education began as a young boy when his mother would take him to be with the elders. “I used to say to myself, ‘Why is she leaving me with these old people?’ – but today I see the reason; I was being taught in the old way.”

Auger’s respect for traditional teachings led him on a journey to study art, opening the door to a doctorate in education. He is a talented playwright, speaker and visual artist whose vividly coloured acrylics have captured the attention of collectors that reads like an international ‘Who’s Who’ spanning English to Hollywood royalty. The essence of his work is communication, and now Dr. Auger has come full circle, interpreting the life of his culture – from the everyday to the sacred - through the cross-cultural medium of art.

Read the rest here:

http://www.daleauger.com/printversionbio.cfm

Monday, March 17, 2008

'Spirited Encounters: American Indians Protest Museum Policies and Practices,' by Karen Coody Cooper

Book review - by Dale Carson

Everyone with an interest in anything ''American Indian'' or ''Native American,'' or in museums in general, and has a heart, must read this book.

I am usually cautious of being asked to review a book by someone I know thinking that just because I like them, I'll be tempted to say nothing but good things.

I do know the author of ''Spirited Encounters,'' a fun-loving, upbeat, kind, intelligent person, always with a great smile on her face, never ''down'' or negative.

I've known Karen Coody Cooper since the early '80s in many of her various capacities as an educator, historian, curator and friend.

When I started reading this book, I said to myself, ''Wow, I had no idea she was such a good writer, and so incredibly organized.'' My head hurt from nodding in agreement every other page or so, or thinking, ''Really? I didn't know that!''

She covers every Native experience with regard to museums and institutions and manages to explain protests, cover-ups and mistakes, and progress toward understanding in a straightforward way that keeps you right there, interested.

Every important aspect of the subject is covered and explored. The politics involved in the display of sacred objects, human remains, art, Columbus, Thanksgiving, and the effect protests have had on these and other subjects are carefully and clearly explained in a flowing, concerned manner without finger-pointing malice. Here are the facts presented in an interesting way that makes you want to understand the hows and whys of Native actions past and present. I couldn't be more honest or blunt when I say, ''Run, don't walk, to the nearest bookshop and get this book.''

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