"We did not think of the great open plains, the beautiful rolling hills, and winding streams with tangled growth as "wild". To us it was tame. Earth was bountiful and we were surrounded with the blessings of the Great Mystery."

Luther Standing Bear - Rosebud Sioux

Guardian of the Water Medicine

Guardian of the Water Medicine
Dale Auger

Dale Auger

Dale Auger: On Art, Blood and Kindred Spirits
by Terri Mason

Defining Dale Auger in one sentence is akin to releasing the colours of a diamond in one cut. It can’t be done. It’s the many facets that release a diamond’s true brilliance, as it is the many facets of Auger’s life, education, ancestry, experiences and beliefs that have shaped and polished his work into the internationally acclaimed and collected artist that he is today.

Born a Sakaw Cree from the Bigstone Cree Nation in northern Alberta, Auger’s education began as a young boy when his mother would take him to be with the elders. “I used to say to myself, ‘Why is she leaving me with these old people?’ – but today I see the reason; I was being taught in the old way.”

Auger’s respect for traditional teachings led him on a journey to study art, opening the door to a doctorate in education. He is a talented playwright, speaker and visual artist whose vividly coloured acrylics have captured the attention of collectors that reads like an international ‘Who’s Who’ spanning English to Hollywood royalty. The essence of his work is communication, and now Dr. Auger has come full circle, interpreting the life of his culture – from the everyday to the sacred - through the cross-cultural medium of art.

Read the rest here:

http://www.daleauger.com/printversionbio.cfm

Wednesday, May 28, 2008

Celebrating roots in Iraq

Staff reports - Tulsa World

A strange thing sits in the Smithsonian Institute's Museum of the American Indian: a 50-gallon drum, cut in half, with canvas material from an army cot stretched tight over the open end.

Though not a traditional drum, it served its purpose — to help bring together American Indians serving in Iraq for the first inter-tribal powwow in a combat zone.

Pryor resident and Cherokee citizen Jon Ketcher was at the powwow, along with Creek, Choctaw, Chickasaw and Osage citizens, dancing, singing, playing stickball and Indian marbles and giving other servicemen and women a chance to learn about American Indian culture.

A Cherokee Nation Marshal for almost eight years, Ketcher, 37, entered the military in 1989 straight out of high school.

When U.S. forces began preparing for the Gulf War in 1990, Ketcher and the VMFA 212 squadron, under the Marine Corps' Third Air Wing, were sent to Bahrain; when the war began in 1991, he served as an ordnanceman, loading and reloading aircraft with ammunition for combat missions.

Often, alarms signaling incoming Scud missiles would sound, with a voice coming over loudspeaker telling troops to don masks and gloves and to take cover, Ketcher said.

One night as Ketcher was walking out to the tarmac, where crews were working only by flashlight, the alarm sounded, followed by two loud booms that signaled Patriot missiles being launched to intercept the Scuds.

Ketcher said he heard tools dropping and hitting the tarmac and saw the crew members throw down their flashlights, then heard the running coming toward him.

"It sounded like a herd of buffalo coming at you,'' Ketcher said. "They were giving it all they had to get to the maintenance bunkers, so I thought I would do the same."

Get the rest of the story here: http://www.tulsaworld.com/news/article.aspx?articleID=20080526_11_A14_hAPryo259669

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